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                <text>Continental Airlines Design and Textile Swatch</text>
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                <text>A stewardess uniform design with two orange fabric swatches attached.</text>
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                <text>1970</text>
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                <text>Simpson, Adele</text>
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                <text>Special Collections and College Archives does not own copyright for all material held in its physical custody. It is the obligation of the researcher to abide by and satisfy copyright law (http://www.copyright.gov/title17/92chap1.html#108) when copying or using materials (including digital materials) found in or made available from the department. When possible the department will inform a researcher about the copyright status of material; the obligations of the researcher with regard to such material and wherever possible the owner or owners of the copyrights. Any and all reproduction of originals is at the discretion of the archivist.</text>
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                <text>In copyright - Educational use permitted</text>
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                <text>Courtesy of the Fashion Institute of Technology | SUNY, Gladys Marcus Library Special Collections and FIT Archive.</text>
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                <text>FIT Special Collections</text>
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                  <text>Building Come!Unity</text>
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                  <text>Come!Unity Press</text>
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                  <text>Social movements</text>
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                  <text>An exhibition of materials from the Come!Unity Press, a print shop that operated as a collective and a "free space" supporting myriad organizations within the 1960s–1970s social movements, including New Left groups, feminist organizations, gay rights organizations, and more. This group is a fantastic case study for movement print culture and how it is used to produce an alternative public sphere. </text>
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                  <text>Curator: Jack McKernan</text>
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                <text>ev avant! Magazine Cover</text>
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                <text>The cover of the first issue of en avant! magazine which is composed in the typical Come!Unity Press rainbow style. The central figure of the cover is an engraving of the Paris Commune. The masthead notes that the issue is free, but donations are needed. At the bottom, we see a cliche (a standard piece of printing, often used for logos or boilerplate text) describing Come!Unity Press and its mission, with negative-space arrows used to call attention to the information. These negative-space arrows are used very liberally at Come!Unity and can identify works likely made in the press that are not otherwise signed as such.</text>
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                <text>en avant!</text>
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                <text>NYU Fales Library</text>
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                <text>March 1975</text>
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                <text>Magazine covers</text>
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                <text>Fashion Illustrations</text>
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                <text>Pamphlet of cut-out fashion designs. The designs are on sheets of paper that are stapled together.</text>
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                  <text>An exhibition of materials from the Come!Unity Press, a print shop that operated as a collective and a "free space" supporting myriad organizations within the 1960s–1970s social movements, including New Left groups, feminist organizations, gay rights organizations, and more. This group is a fantastic case study for movement print culture and how it is used to produce an alternative public sphere. </text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Film Screening Poster: Who Invited Us?</text>
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                <text>Film posters</text>
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                <text>Anti-imperialist movements</text>
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                <text>A poster advertising the showing of two films for the benefit of Come!Unity Press: Who Invited Us, about the activities of the United States in Latin America, and To the People of the World, a report on the situation in Chile since the 1973 Coup which instated dictator Pinochet. It is particularly illegible due to the usage of largely blue text on a blue background, showing the limits of the Come!Unity Press's design philosophy.</text>
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                <text>Come!Unity Press</text>
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                <text>NYU Fales Library</text>
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                <text>ca. 1976</text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Free Assata Shakur Poster</text>
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                <text>Letter asking for contributions from user of the space</text>
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                <text>Come!Unity Press</text>
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                <text>Nonprofit organizations--Accounting</text>
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                <text>A letter included in a proof copy of a text, "Class Struggles in China" soliciting a larger contribution toward the press.&#13;
&#13;
The commercial rate for producing this pamphlet is approximately $997.34 ( 65¢/copy ). Come! unity press has thus far received only $30 towards the replacement of $376,68 in materials used, and for the) physical maintenance of press facilities for other movement projects. Access to printing and layout facilities is INDEED made equally available to those without, as those with money. It has been so for five years, solely through donations and our willingness to work without pay and to eat donated food, including considerable supermarket garbage (thrown-out type). We do mot demand that you reveal your resources. (you already know them, only that you compare yours with what you now know of ours, and consider the value, to you and others, of the continuation of s such a print shop facility, a movement communication facility. Your access to this printed material is ALSO equal l y available, regardless of your resources. But your money support is desperately needed, now, at the address below, if you can afford it, if we are to continue.</text>
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                <text>NYU Fales Library</text>
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