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                  <text>An exhibition of materials from the Come!Unity Press, a print shop that operated as a collective and a "free space" supporting myriad organizations within the 1960s–1970s social movements, including New Left groups, feminist organizations, gay rights organizations, and more. This group is a fantastic case study for movement print culture and how it is used to produce an alternative public sphere. </text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Come!Unity Press Printer's Mark</text>
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                <text>A detail from a proof of a version of the Come!Unity Press Mark used in 1976. It features the name of the collective squeezed into a circular form surrounded by the motto: "Survival By Sharing," and "People Before Profit." This basic motif was found somewhere on nearly all materials produced at the space.</text>
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                <text>Come!Unity Press</text>
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                  <text>An exhibition of materials from the Come!Unity Press, a print shop that operated as a collective and a "free space" supporting myriad organizations within the 1960s–1970s social movements, including New Left groups, feminist organizations, gay rights organizations, and more. This group is a fantastic case study for movement print culture and how it is used to produce an alternative public sphere. </text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Christopher Street Liberation Day Flyer</text>
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                <text>Pride Month</text>
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                <text>This flyer is advertising an early edition of the Christopher Street Liberation Day March, what would eventually come to be known as the Pride Parade. Based on the date, this seems to relate to the 6th annual march, in 1975. The historical significance of this object alone makes it worth highlighting in the exhibition, while in addition telling us a lot about the press and its function. Written on the flyer is the instruction to contact the Stonewall Commemoration Committee through the Come!Unity Press itself by dropping by between 2 P.M. and 2 A.M.. This underscores the doubled sense in which Come!Unity Press created a public space. In addition to the production of leaflets and pamphlets so vital to movement communication, its establishment of a literal physical free space created a clearinghouse for activists to network.</text>
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                <text>NYU Fales Library</text>
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                <text>Flier (Printed matter)</text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Free Assata Shakur Poster</text>
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                <text>A poster simply stating "Free Assata Shakur" with Assata depicted in black-and-white, and Come!Unity press information listed underneath.</text>
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                <text>ca. 1978</text>
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                  <text>An exhibition of materials from the Come!Unity Press, a print shop that operated as a collective and a "free space" supporting myriad organizations within the 1960s–1970s social movements, including New Left groups, feminist organizations, gay rights organizations, and more. This group is a fantastic case study for movement print culture and how it is used to produce an alternative public sphere. </text>
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                  <text>Curator: Jack McKernan</text>
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                <text>Film Screening Poster: Who Invited Us?</text>
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                <text>Film posters</text>
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                <text>A poster advertising the showing of two films for the benefit of Come!Unity Press: Who Invited Us, about the activities of the United States in Latin America, and To the People of the World, a report on the situation in Chile since the 1973 Coup which instated dictator Pinochet. It is particularly illegible due to the usage of largely blue text on a blue background, showing the limits of the Come!Unity Press's design philosophy.</text>
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                <text>Come!Unity Press</text>
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                <text>NYU Fales Library</text>
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                <text>ca. 1976</text>
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                <text>Poster</text>
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&#13;
The commercial rate for producing this pamphlet is approximately $997.34 ( 65¢/copy ). Come! unity press has thus far received only $30 towards the replacement of $376,68 in materials used, and for the) physical maintenance of press facilities for other movement projects. Access to printing and layout facilities is INDEED made equally available to those without, as those with money. It has been so for five years, solely through donations and our willingness to work without pay and to eat donated food, including considerable supermarket garbage (thrown-out type). We do mot demand that you reveal your resources. (you already know them, only that you compare yours with what you now know of ours, and consider the value, to you and others, of the continuation of s such a print shop facility, a movement communication facility. Your access to this printed material is ALSO equal l y available, regardless of your resources. But your money support is desperately needed, now, at the address below, if you can afford it, if we are to continue.</text>
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                <text>A bumper sticker advocating for Nobody for President in the 1976 elections, related to a campaign by Wavy Gravy, the official clown of the Grateful Dead. It features the Come!Unity Press mark, which is visible in the image showing the bumper sticker in the wild.</text>
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                  <text>Curator: Jack McKernan</text>
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                <text>A hand bill advertising a benefit film screening for Come!Unity press hosted by the Tricontinental Film Center showing Blow for Blow, a french anti-imperialist film. </text>
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                <text>Come!Unity Press</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>NYU Fales Library</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Come!Unity Press</text>
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                <text>oblong</text>
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                  <text>Building Come!Unity</text>
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                <text>A Salvar el Sur del Bronx</text>
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                <text>A Spanish-language poster advertising a march to Yankee Stadium to "Save the South Bronx" demanding 25,000 new housing units, revitalization of hospitals, job creation, drug addiction treatment programs, day care centers, and the halting of school closures. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>NYU Fales Library</text>
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                <text>Come!Unity Press</text>
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                <text>ca. 1976</text>
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